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Stock: 15488

A Pair of large Renaissance Revival patinated bronze ewers, with pierced, openwork decoration. They are likely to be cassolettes, with the pierced design intended to diffuse sweet perfume kept within them. They are mounted on red griotte marble base. French, mid 19th century.

View our collection of: decorative antiques and furnishings

	Width	Height	Depth
	7 1⁄2" 19 cms	22 5⁄8" 57.5 cms	6 1⁄8" 15.5 cms

Stock: 15484

A Sarouk (Sarough) carpet, with a central rosette surrounded by a scrolling floral design and a floral border. There is minimal fading and the carpet is in good condition. The carpet is not overly large, so could be accommodated in most rooms. Iranian, c.1950

Notes: Sarouk rugs are known for their quality and durable nature, woven from soft wool. They are woven in Arak, North West Iran. The dyes used, are dark and light blue, pink and red. This restrained palette makes them particularly sought after today.

View our collection of: Carpets and rugs

	Length	Width
	69 11⁄16" 177 cms	46 1⁄2" 118 cms

Stock: 15481

A large and decorative Heriz Persian Carpet with an intricate design. Heriz, now in North West Iran, is renowned for fine carpets, where they were often made on looms attached to the side of houses, where 3 or 4 people would work on the same carpet at the same time. Heriz rugs are both durable and hard wearing and it is said that they incorporate woven images relating to old folk tales.
Persian, mid 20th century.

View our collection of: Carpets and rugs

	Length	Width
	140 7⁄8" 358 cms	104 1⁄4" 265 cms

Stock: 15480

A decorative Afshar Persian carpet of relatively small proportions, the diamond shape central medallion framed by a golden border, echoed by similar tones throughout the floral decorative scheme. Iranian, c.1950.

The semi-nomadic Ashfar tribe originated in North-West Iran, but are now located in the South-East of the country.

Link to: Carpets and rugs

	Length	Width
	66 1⁄8" 168 cms	57 7⁄8" 147 cms

Stock: 15418

A large and ornate French 24 branch gilt brass chandelier. This chandelier embodies the Rococo style, its naturalistic form fashioned from entwined leaves and vines festooned with bunches of grapes. French, early 20th century.

	Diameter	Drop
	39" 99 cms	41 11⁄16" 106 cms

Stock: 15242

A fine and elegant Regency four poster mahogany bed. The high shaped tester or canopy with a well carved egg and dart band is supported by two simple posts to the rear and by a pair of tapering columns with acanthus carved detail to the front raised on sturdy bun feet. The brass curtain rails and headboard are later. Bedding not included. English, circa 1810.

Notes: Four poster beds date back to the late 14th century and often served as important status symbols. Frequently also called ‘tester beds', they had curtains to the front and sides to keep in the heat and keep out drafts and sunlight.

	Width	Height	Depth
	88 3⁄16" 224 cms	84 1⁄4" 214 cms	62 5⁄8" 159 cms

Stock: 15390

A small Statuary marble Regency style lion paw sculpture almost certainly once part of a fireplace. English, circa 1860.

Link to: Antique sculptures, carvings, bronzes, plaques and tablets

	Width	Height	Depth
	6 3⁄16" 15.8 cms	4 13⁄16" 12.3 cms	4 11⁄16" 12 cms

Stock: 14913

A set of three large French ormolu wall lights. These sconces are an unusual design, taking on Bacchic symbolism, with ribbons suspending coiled snakes, from which hang the three arms, adorned with swags of vines. Beneath, the mask of a satyr and his instruments, the pan pipes and a tambourine hang. French, c.1900.

View our collection of: Antique Wall Lights

	width	height	depth
	15 11⁄16" 40 cms	27 5⁄8" 70 cms	8 11⁄16" 22 cms

Stock: 14078

An important piece of London's dockland history. This large bell was originally cast in 1737 for The East India Company. The cast inscription reads " R.P. 1737 THE HONARABLE EAST INDIA COMPANYS BELL AT THEIR CHAPEL IN POPLAR." and on the reverse "RECAST 1966 MEARS LONDON.
English circa 1737, recast in 1966.

Link to: decorative antiques and furnishings

	Diameter	Height
	22" 56 cms	16 11⁄16" 42.5 cms

Stock: 11067

A fine 19th century carved pine chimneypiece in the Georgian manner, with a frieze decorated with finely carved floral garlands and foliate flourishes. Intended to be fitted with marble slips, which we can provide.

English, c. 1880.

	Width	Height	Depth
External	61 1⁄2" 156.3 cms	52 5⁄8" 133.5 cms	6 1⁄4" 16 cms
Internal	5 3⁄8" 13.6 cms	40 11⁄16" 103.4 cms

Stock: 15344

A pair of tall cast iron Jacobean andirons. The bearded deities with intriguing head dress, hand mufflers and serpent-entwined lower quarters, with oak rather than fig leaf loin covering.
17th century possibly earlier. Probably Celtic inspired by Celtic design.

View our collection of: Antique Andirons, Fire Dogs, Alare and Chenets

	Width	Height	Depth
	7 1⁄4" 18.5 cms	25 5⁄8" 65 cms	21 1⁄2" 54.5 cms

Stock: 14048

A pair of early 20th century, textured glass painted windows in rectangular leaded metal frames, decorated with naturalistic ribboned garlands of roses and foliage to the upper section above flamboyant sprays of flowers arranged within twin handled urns. French, circa 1910.

Link to: Antique Doors and Windows.

	width	height	depth
	29 1⁄4" 74.5 cms	61" 155 cms	1" 2.5 cms

Stock: 14738

A rare and monumental cast iron Coalbrookdale antique fire grate identical to fire grate SNo 14374. The elaborately scrolled backplate featues a Bagot Goat jumping a fence. The substantial basket, with a strapwork apron centred by a lion mask, is supported by a pair of large and powerful panther head standards.

Provenance: The registration mark 65 The Coalbrookdale Company registered September 6th 1841 number 814 can clearly be seen on the back.
English, early to mid 19th century.

Notes: The Bagot goat is believed to be Britain's oldest breed of goat and has lived semi-wild at Blithfield Hall in Staffordshire for over six hundred years.The Coalbrookdale Company, a foundry in Shropshire established in 1709, is probably most famous for building the world's first cast iron bridge erected and opened at Ironbridge in 1780, but it was also noted for its decorative ironwork an example of which is a set of gates opening into London's Hyde Park. The blast furnaces were closed down around 1820 but the foundries remained in use.

Please note that the back plate was once broken the damage can be seen under the goat. It has been strapped on the back, so the grate is still functional.

Link to: Antique fire grates and log baskets.

	width	height	depth
	34 5⁄8" 88 cms	29 1⁄4" 74.5 cms	16 1⁄8" 41 cms

Stock: 13122

An imposingly large Jacobean Revival cedar wood antique fireplace surround with an exquisitely inlaid over mantel. This chimneypiece has a projecting pediment on the upper register which rests above a pair of strapwork panels beneath which are two high arched panels decorated with stylised ornate inlaid vases of flowers picked out in satinwood, mahogany, sycamore and ebony. The panels are set between three pairs of free standing, reeded columns with finely carved capitals terminating in tall strapwork feet. Beneath the over mantel is a fireplace surround, with a moulded shelf above a strapwok carved barrel undershelf, supported by a pair of tapering reeded jambs resting on tall footblocks.
English, circa 1870.

Link to: Antique Renaissance, Gothic Tudor Fireplace mantels and Chimneypieces: 1260 - 1600

	Width	Height (Overall)	Depth
External	90 5⁄8" 230 cms	129 7⁄8" 330 cms	14 3⁄16" 36 cms
Internal	53 11⁄16" 136.5 cms	60" 152.5 cms

Stock: 11094

An unusually large Louis XV fireplace surround in Rouge De Rance red and white figured marble. The wide serpentine shelf sits on the shaped frieze which is centred by a shell cartouche, flanked by scrolled endblocks descending on shaped and paneled, angled jambs. French, early 19th century.

Link to: Antique Rococo Chimneypieces inc Louis XV English Scottish Chippendale Rococo fireplace mantels.

	Width	Height	Depth
External	74" 188 cms	47 13⁄16" 121.5 cms	10 3⁄16" 26 cms
Internal	59 5⁄8" 151.5 cms	40 3⁄8" 102.5 cms

Stock: 15456

A very fine mahogany longcase clock, with an eight day movement by John Wyld of Nottingham. The fine silver dial is centred by a painted scene of a wooded landscape and this frames a date aperture. The lunette above is adorned with not only a painted moondial, but with opposing hemispheres. The dial is framed by very fine brass cherub spandrels, and mounted with three pierced hands.
The hood of the clock has a swan necked pediment with trompe l'oeil marquetry and a brass finial, which is echoes in the pair of fluted corinthian columns with brass capitals.

Inside the figured case is a four pillar movement which will be fully serviced on purchase.

Notes on the maker: John Wyld was an important and very competent maker who was born in Codnor, Derbyshire in 1710, son of another John Wyld (1678-1760) by Rebecca, sister of the notable Codnor clockmaker James Woolley (1695-1785), to whom Wyld was apprenticed. He set up at Codnor around 1732 and also rented a workshop in Chapel Bar in Nottingham from a Mr. Lupton shortly afterwards. He married in 1740 and died in 1773 leaving John, his successor at Nottingham, Joseph and three daughters.

Link to: Antique clocks and clock garniture

	width	height	depth
	21 11⁄16" 55 cms	96 7⁄8" 246 cms	10 5⁄8" 27 cms

Stock: 15454

A pair of French Louis XVI gilt ormolu style two branch wall lights with ornate pierced back plates from which emanate the scrolled arms adorned with rosette motifs.
French, early 20th century.

Link to: Antique Wall Lights

	Width	Height	Depth
	11 3⁄8" 29 cms	9 5⁄8" 24.5 cms	5 1⁄4" 13.5 cms

Stock: 15453

A lovely pair of Booth’s Silicone China Scale Blue table lamps. Hand painted in the manner of 18th century Worcester, these are decorated with a profusion of gilt, on a cobalt blue fishscale ground. The cartouches are painted with exotic birds - presumably pheasants - and exquisite flowers. Simple Empire style lamp shades would suit these lamps very well.
English, circa 1900.

Research: Booths' most highly prized pattern is Scale Blue, an early C20th copy of the famous Worcester blue glaze featuring vignettes with exquisitely hand-painted birds and flowers. Now extremely hard to come by, it is much sought after by Booths connoisseurs.

View our collection of: Antique candelabras, candlesticks and lamps

	Width	Height	Depth
	7 1⁄8" 18 cms	13 5⁄8" 34.5 cms	7 1⁄8" 18 cms

Stock: 14956

A pair of large, imposing brass three branch Neoclassical wall lights. The ornate central stems, surmounted by acanthus clad vases filled with roses, and from which the scrolled arms emanate, terminate in reverse acanthus clusters. English, early 19th century.

Link to: Antique Wall Lights

	Width	Height	Depth
	15 11⁄16" 40 cms	23 5⁄8" 60 cms

Stock: 15461

A lovely early 20th century, patinated bronze, heavy Neoclassical style table lamp of very good quality. The glass flambeau shade is raised on four tapering legs, enclosing a reverse bronze finial, and are surmounted with heads of Medusa who was one of the three monstrous winged, female Gorgons with living venomous snakes in place of hair.
English, circa 1910

Please note: We will PAT test this lamp before collection.

Link to: Antique candelabras, candlesticks and lamps

	width	height	depth
	3 7⁄8" 10 cms	16 7⁄8" 43 cms	3 7⁄8" 10 cms

Stock: 15460

A George III 30 hour oak longcase clock with an engraved silvered dial and Roman numerals, framed by gilt spandrels to the corners. To the centre of the dial is a date aperture, and also an arched moondial with hand painted decoration. This elegant dial sits within a columned hood of an elegantly simple design. It has a 4 pillar movement. This clock will be serviced upon purchase.

Signed: Samuel Butterworth of Rochdale.
English, c.1770.

	width	height	depth
	79" 200.6 cms	23" 58.4 cms

Stock: 15434

A very large, hand painted maiolica urn in the form of a classical wine krater. The exquisite painted decoration includes two central cartouches, one depicting the Judgement of Paris, the other Venus and Cupid with attendants. This is set against a blue ground decorated with foliate scrolls, masks and shells. The handles are fashioned into winged, leopard like beasts.

It would make a fantastic centrepiece on a table and is designed to be seen in the round.

Italian, late 19th, early 20th century. Unmarked.

Link to: decorative antiques and furnishings

	width	height	depth
	22 3⁄8" 57 cms	24 13⁄16" 63 cms	12 3⁄16" 31 cms
Base	11 3⁄8" 29 cms

Stock: 15438

A late 18th century Statuary and Brocatelle marble chimneypiece, inlaid with a Greek key design on the frieze. The finely carved tablet depicts a goddess, perhaps Persephone, holding a cornucopia brimming with fruit, including a pineapple; something of a luxury in 18th century Britain. Beside her, a putto holds aloft an ear of wheat as he rides a lion pulling the goddess' chariot. In the distance, a small temple sits atop a hill, very much like the temple follies seen in 18th century parkland. Flanking the frieze are two elegantly carved endblocks, depicting a putto holding torches - another symbol of Persephone. These are supported by gently tapered jambs, inlaid with flutes of brocatelle marble and terminating in plain footblocks.
English, Circa 1790 with restorations.

View our section showing full range of neo-classical chimneypieces

	Width	Height	Depth
External	74 13⁄16" 190 cms	60 13⁄16" 154.5 cms	8 7⁄8" 22.5 cms
Internal	48 3⁄8" 123 cms	47" 119.5 cms

Stock: 15437

A French Carrara marble Louis XV style Rococo fireplace surround. The serpentine breakfront shelf rests above a fielded freeze centred by a large foliate cartouche echoed on the endblocks which sit above angled, panelled jambs supported on sturdy footblocks.
French, late 19th century.

View our collection of: Antique Rococo Chimneypieces inc Louis XV English Scottish Chippendale Rococo fireplace mantels.

	Width	Height	Depth
External	62 3⁄16" 158 cms	42 3⁄8" 107.6 cms	16 1⁄2" 42 cms
Internal	45 1⁄8" 114.5 cms	35 5⁄8" 90.5 cms

Stock: 14934

An early 20th century, Rococo style, eight branch gilt brass chandelier, hung from an ornate ring, the arms emanating from a bulbous stem terminating in a reverse pineapple,finial.
French, circa 1910.

Link to: Antique chandeliers.

	Diameter	Drop
	21 11⁄16" 55 cms	28 1⁄4" 72 cms

Stock: 15452

A fine example of an early twentieth century time recorder clock in an oak case. The bevelled glass panel bears the words 'Manufactured By The National Time Recorder Co. (Patentees) London SE.' The clock face with Roman numerals is set within a carved wood frame and bears the name British Time Recorder Co. Ltd. 149 Farringdon Road, London EC. beneath which is a small metal plaque stating 'Overhauled by British Time Recorder Co. Ltd, 149 Farringdon Road, London EC1 Phone. Terminus 1451 and the Reg No 8129'. This Time Recorder is in full working order.
English, circa 1912.

Notes: Time Recorders like this one would have been used to record the times workers came in and out of their place of work. The National Time Recorder Co. Ltd (incorporated in 1917, company number 146424, though possibly founded around 10 years earlier in 1907) was one of the two largest UK manufacturers of time recorders in the UK. The head office and factory was originally based in Blackfriars London, and moved to the Lagoon Works in St Mary Cray (Orpington) Kent in 1951, on the site of the Blue Lagoon swimming pool which had been damaged during the war. Other branches were established in London, Birmingham, Bristol, Dublin, Glasgow, Leeds, Manchester, Newcastle-upon-Tyne and Sheffield. .

	Width	Height	Depth
	15 7⁄8" 40.3 cms	47" 119.5 cms	11" 28 cms

Stock: 15447

A large and fine Regency polished steel and cast iron register grate with an ornate fruit and foliate mounted back panel set behind the turned barred grate. The gently arched opening framed by brass edged columns with bullseye paterae to the corners.
English, circa 1820.

Link to: Antique Fire grates and Register grates.

	Width	Height	Depth
External	36" 91.5 cms	38 3⁄16" 97 cms	11 3⁄8" 29 cms
Internal	29 11⁄16" 75.5 cms	33 1⁄2" 85 cms

Stock: 15441

A Victorian black slate arched fireplace, painted with intertwining Ivy and white Jasmine. The symbolism of flowers was a popular theme in Victorian Britain, with flowers adopted as symbols across the decorative arts. The art of floriography as it was called, was used to convey messages through the language of flowers. Ivy for example, represented eternity, fidelity and friendship. White jasmine, purity and amiability.
Original hand painted decoration.
English, circa 1870.

Insert not included.

Link to: Antique Victorian, William IV and Edwardian fireplaces and chimneypieces.

	Width	Height	Depth
External	61 13⁄16" 157 cms	43 11⁄16" 111.1 cms	11 13⁄16" 30 cms
Internal	34 1⁄4" 87 cms	33 11⁄16" 85.5 cms

Stock: 15448

A very smart polished steel Georgian register grate, with three bosses to the top within in bead edged panels, a finial mounted three barred grate and a pierced apron. English, circa 1790.

Link to: Antique Fire grates and Register grates.

	Width	Height	Depth
External	42 1⁄8" 107 cms	40 3⁄8" 102.5 cms	11" 28 cms
Internal	26 3⁄8" 67 cms	33 1⁄4" 84.5 cms

Stock: 15440

A Victorian black slate fireplace with corbels beneath a wide shelf. An abundant festoon of painted summer flowers adorns the frieze and more trail down each jamb. As with fireplace SNo 15441 the symbolism of flowers was a popular theme in Victorian Britain, with flowers adopted as symbols across the decorative arts. The art of floriography as it was called, was used to convey messages through the language of flowers.
English, circa 1870.

Link to: Antique Victorian, William IV and Edwardian fireplaces and chimneypieces.

	Width	Height	Depth
External	61 7⁄8" 157.3 cms	44 7⁄8" 114.1 cms	11" 28 cms
Internal	36 13⁄16" 93.5 cms	35 5⁄8" 90.5 cms

Stock: 14270

A fine quality 20th century cut glass five branch chandelier in the Georgian manner. The central baluster stem holds five swan neck branches which are is profusely hung with cut crystal drops.
English, mid 20th century.

View our collection of: Antique chandeliers.

	Diameter	Drop
	16 1⁄8" 41 cms	23 5⁄8" 60 cms

Stock: 15449

A mid Victorian cast iron arched register grate, with an ornate backplate, a two barred bow fronted grate and fine foliate detail around the opening. English, circa 1860.

Link to: Antique Fire grates and Register grates.

	Width	Height	Depth
External	42 1⁄8" 107 cms	41 1⁄8" 104.5 cms	11" 28 cms
Internal	31 7⁄8" 81 cms	32 1⁄4" 82 cms

Stock: 15436

A very fine and rare George III bronze register grate finely engraved with neoclassical motifs. Beneath the three barred serpentine grate is an elegant engraved apron of the same serpentine form.
Irish, circa 1780.

Link to: Antique Fire grates and Register grates.

	Width	Height	Depth
Front	42 1⁄2" 108 cms	42 1⁄8" 107 cms	13 3⁄16" 33.5 cms
Back	35 13⁄16" 91 cms	39 3⁄16" 99.5 cms

Stock: 15428

A charming, Louis XVI style, grey marble and ormolu table lamp, raised on a shaped base and with a pair of bold ormolu satyr masks, with large sweeping horns, mounted on the shoulders. French, circa 1880.

Link to: Antique candelabras, candlesticks and lamps

	Width	Height	Depth
Lamp and Shade	17 1⁄2" 44.5 cms	31 11⁄16" 80.5 cms	17 1⁄2" 44.5 cms
Lamp only	11 3⁄8" 29 cms	23 5⁄8" 60 cms

Stock: 14971

A large grand gilt bronze clock garniture in the Louis XVI style. The clock, with an 8 day striking movement that strikes on the half and the full hour and with it's original pendulum and key, is set in an ornate gilt bronze case mounted on its original giltwood base, which is a rare survival. The convex porcelain dial with cobalt blue Roman hours and black Arabic minutes, fine gilt hands, ringed lion masks and a bevelled convex glass door is topped by an ornate lidded urn with an acorn finial. The pair of tall five branch candelabra with further ringed lion masks also retain their original giltwood bases.
French, mid 19th century.

View our collection of: Antique clocks and clock garniture

	Width	Height	Depth
	15 5⁄8" 39.5 cms	27" 68.5 cms	9 3⁄8" 24 cms