Premier Items

Stock: 14356

A fine Statuary Marble Victorian chimneypiece with grey/green Verde Antico Marble inlay very much in the George III manner. The wide moulded shelf, with an underlay of dentil detail, rests above an inlaid Greek Key frieze with a central tablet of an urn surmounted by a pair of mythical styled sphinx. The rosette paterae on the end blocks are set above inlaid fluted pilasters fronting the jambs. English, circa 1870.

Link to a section showing full range of similar/related neo-classical chimneypieces

	Width	Height	Depth
External	71 11⁄16" 182 cms	56 1⁄2" 143.5 cms	9 1⁄8" 23 cms
Internal	44 1⁄8" 112 cms	42 7⁄8" 109 cms

Stock: 13990

A very rare pair of 17th century Charles II enameled brass andirons or fire dogs.

The uppermost decoration depicts the royal arms, which is supported by two nude male figures, between which is a vase of flowers. The andirons terminate in two disks also decorated with flowers, possibly tulips and roses.

Attributed to the workshops of Anthony Hatch and Stephen Pilcherd. Hatch was a well-known member of the Armourers and Braziers Company and worked with Pilcherd on the low-volume production of enamel ware, which would have been very expensive at the time.

Firedogs of cast brass decorated with red, blue and white enamel, with wrought iron supports, bearing the arms of Charles II or James II. The brass front is in 4 parts, the uppermost containing the royal arms, the middle part formed of two nude male figures supporting the arms with a vase of flowers between them, the lower portions in the form of two convex disks decorated with tulips and other flowers. Unlike cloisonné decoration, the enameled fields were cast in the mould.

London, c. 1660-1688.

View our collection of: Antique Andirons, Fire Dogs, Alare and Chenets

	Width	Height	Depth
	11 3⁄8" 29 cms	23 13⁄16" 60.5 cms	15 3⁄8" 39 cms

Stock: 10223

A fine pair of grand walnut doors, casements and overdoors carved and gilded in the French Renaissance manner. They were originally in Park Place a Grade II listed house set in 570 acres near Henley-on-Thames in Oxfordshire. The overdoors with arched pediments, centred by a large stylised shell flanked by ornate side scrolls, rest on the carved and gilded door surrounds again with the shell features. The upper panels of the doors are very finely carved with stylised dolphins, strapwork and cartouche each centred by lion masks carved in high relief. The lower panels with arched, raised and fielded panels. The doors are held on substantial rising butt brass hinges and the reverse side of each is set with plain raised and fielded panels. The house featured in the 2009 St Trinians film when the name Headmistress was affixed to the rear of one of the doors as can be seen in the last image. French, circa 1870.

Photos before restoration and please note that the doors can be sold separately.

Provenance: The doors were commissioned in the Renaissance style by the Noble family for Park Place which was built in the French Renaissance manner in 1871 by Architect Thomas Cundy.

Notes: John Noble bought the estate in 1869 and it stayed in the family until 1947 when it was auctioned off in a number of lots. The house was bought by the Middlesex County Council and in 1965 ownership was transferred to Hillingdon Council. The house and gardens were subsequently sold twice more during which time both were carefully restored and are now once again in private ownership.

Link to: Antique Doors and Windows.

	Width	Height	Depth
Overall	47 3⁄16" 120 cms	123 5⁄8" 314 cms	2 3⁄8" 6 cms
Door only.	34 1⁄4" 87 cms	82 11⁄16" 210 cms

Stock: 7579

A finely carved, late George III or George IV Statuary Marble chimneypiece tablet, originally the centre piece of a fireplace frieze, depicting Artemis reclining on rocks with her hound before her. English, late 18th early 19th century.

Link to: Antique sculptures, carvings, bronzes, plaques and tablets

	Width	Height	Depth
	17 7⁄8" 45.5 cms	7 13⁄16" 19.7 cms	2 13⁄16" 7 cms

Stock: 14757

A large and imposing Louis XVI chimneypiece in Belgian Black Marble together with its original brass insert.The frieze and endblocks are carved in Red Languedoc Marble. The stepped moulded shelf rests above the wide ornately carved frieze centred by a female mask resting on a bed of scrolling leaf and rosette detail. The endblocks bear large and bold garlanded female masks above grand stop fluted console jambs raised on stepped footblocks. French, circa 1810.

Link to: Antique French chimneypieces inc. Louis XVI, French Empire fireplace mantels.

	Width	Height	Depth
External	82 1⁄4" 209 cms	62 11⁄16" 159.2 cms	19 13⁄16" 50.2 cms
Internal	53 3⁄16" 135.2 cms	46 7⁄8" 119.2 cms

Stock: 10438

A large and rare, English Rococo, finely carved Statuary Marble tablet of the infant Eros asleep under trees on a bank beside a river in an Elysian landscape set within scrolling borders. It may have once been the central feature on the frieze of a grand chimneypiece. The last image, rather blurred I'm afraid, shows a similar tablet that was from a chimneypiece in Blair Castle, in Pitlochry Scotland.
Carved by Thomas Carter, English, c.1755.

Link to: Antique sculptures, carvings, bronzes, plaques and tablets

	Width	Height	Depth
	19 11⁄16" 50 cms	10 5⁄8" 27 cms	3" 7.5 cms

Stock: 15248

A fine Regency steel and brass register grate. The top and sides are mounted with acanthus clad turned brass rods which slot into the bullseye endblocks and footblocks. The recessed, bowfronted toothed grate sits above a brass apron embellished with a pair of opposing seated griffin amid anthemion and foliate scroll motifs. English, early 19th century.

Link to: Antique Fire grates and Register grates.

	width	height	depth
	40" 101.5 cms	37 3⁄8" 95 cms	12 5⁄8" 32 cms

Stock: 14868

A monumental Regency stoneware urn, in the manner of the antique. This magnificent urn recalls the form of an Ancient Greek krater - a large vessel for mixing wine. The entire urn is dedicated to the God of Wine Bacchus (Dionysus), with a band of fruiting vines to the neck, underneath which is high-relief frieze depicting a Bacchic procession or thiasus, with revellers carrying cups of wine, bunches of grapes and the other trappings of a hedonistic feast. The serpents fashioned into handles are characteristic of Bacchic iconography and they are often associated with Bacchus, as Maenads - female followers of the God - wore snakes in their hair.

This urn is unlike any other we have come across, but echoes the popularity of themes from classical antiquity, made even more popular by the phenomenon of the Grand Tour. The great engraver and antiquarian Giovanni Battista Piranesi even produced an engraved volume solely dedicated to the designs of urns in the antique style. He then manufactured urns in his Italian workshops. In England, the famous manufacturer Eleanor Coade and designers such as Thomas Hope also produced urns in the antique manner for an eager public.

The urn is made from a weather impervious stoneware, similar to the famous Coade stone. Restoration to the handles has been carried out.


Link to: Antique, old vintage fountains, sculptures, garden furniture and statuary

	Width	Height	Depth
	29 7⁄8" 76 cms	57 7⁄8" 147 cms	32 11⁄16" 83 cms
Base	18 1⁄2" 47 cms

Stock: 15195

A late 18th century Georgian chimneypiece carved in Statuary Marble with Verde Antico frieze panels and slips to the opening. This chimneypiece was carved by the sculptor Thomas Carter (d.1795) and designed by the architect Charles Cameron, who installed it at 15 Hanover Square, London W1 c.1774 - a property which has subsequently been demolished. It was almost certainly designed for one of the principle rooms in the house. The Statuary Marble chimneypiece is boldly carved, uniting both Neoclassical and Palladian ideals to create an ornate yet elegantly balanced piece. The central tablet is carved in high relief with a depiction of putti representing the Arts, Sciences, Knowledge and Industry. It is centred on the frieze beneath the wide breakfront shelf and is in turn flanked by a pair of large stylised, foliate endblocks which sit above the sweeping console jambs.
English, circa 1774.

Provenance: 15 Hanover Square was designed in the 1770s by the architect Charles Cameron for Jervoise Clark (1743-1808) Member of Parliament for Yarmouth, on the Isle of Wight. The chimneypiece was installed there in the 1770s. It was taken out when the house was demolished in 1904 and was subsequently promoted by prominent antique dealers of the time among them Mr Pratt, Messrs Keeble, Gill & Reigate & Sir Charles Allom. It was Illustrated in English Chimneypieces by Guy Cadogan Rothery published by John Tiranti in 1927 (please see the scanned image below).

Link to a section showing full range of similar/related neo-classical chimneypieces .

	Width	Height	Depth
	86 3⁄16" 219 cms	63 1⁄2" 161.2 cms	12" 30.6 cms
	47 5⁄8" 121 cms	43 11⁄16" 111 cms

Stock: 15172

A large and fine early Regency Statuary Marble antique fireplace surround delicately elegant in it's simplicity. The moulded shelf sits above a plain frieze centred by a swag, rosette and ribbon enhanced tablet. The stylised vases with bellflower drapes on the endblocks rest above attached tapering columns on the jambs supported on stepped footblocks. English, circa 1800. .

Link to: Antique English Regency chimneypieces inc. George IV fireplace mantels.

	Width	Height	Depth
External	63 1⁄8" 160.3 cms	53 1⁄8" 134.8 cms	8 1⁄2" 21.5 cms
Internal	42 3⁄8" 107.6 cms	42 1⁄8" 107 cms

Stock: 14993

A pair of large bronze lanterns from the Regency period. These tapered lanterns are surmounted by a flame emanating from a corona, echoing their past as gas lanterns. Below, there is an elegant band of palmettes very much aligned with the Regency aesthetic and this rests above the curved glass panels.

The bronze has developed a beautiful patina over time.These lanterns were intended to be mounted on a gate post or wall bracket, but can be easily adjusted for hanging if required.

English, early 19th century.

Link to: Antique lanterns and ceiling lights

	Diameter	Drop
	16 1⁄2" 42 cms	39 3⁄8" 100 cms

Stock: 14968

An impressive and large late 19th century French quarter chiming gilt brass Gothic Revival bracket or mantel clock retailed by Hall & Company, Manchester. The case, with engraved floral decoration and applied coloured cabuchon jewel mounts, encloses a gilt 7" Roman dial with a finely scroll engraved centre and an eight day spring driven movement with anchor escapement chiming the quarters on a nest of two bells. The movement was made in Saint Nicolas d' Aliermont, by Pierre-Honoré-César Pons and then finished by the Parisian Clock maker, Louis Achille Brocot. French, circa 1870.

Link to: Antique clocks and clock garniture

	width	height	depth
	16 7⁄8" 43 cms	31 1⁄2" 80 cms	12 3⁄16" 31 cms

Stock: 14629

A large and impressive English Regency iron, steel and polished brass antique fire basket with a decorative stele crest backplate. The deep bow fronted grate, above a cut and linked medallion skirt, is supported by a pair of large brass standards formed as ribbon bound columns beneath lidded vase finials and raised on splendid lion claw feet. English, early 19th century.

Link to: Antique fire grates and log baskets.

	Width	Height	Depth
External	39 13⁄16" 101 cms	31 1⁄8" 79 cms	14 3⁄16" 36 cms
Back width	26" 66 cms

Stock: 14977

A Statuary Marble classically styled delightful antique plaque of generous proportions carved with a central shell cartouche flanked by a sunflower and rose and surrounded with an abundance of small flowers, wheat ears and ribboned bellflowers. English, 19th century.

Link to: Antique sculptures, carvings, bronzes, plaques and tablets

	Width	Height	Depth
	39 13⁄16" 101 cms	10 13⁄16" 27.5 cms	1 5⁄8" 4 cms

Stock: 14066

A large and very rare Regency cast & wrought iron, brass mounted antique fire grate in the Greek Revival manner. The backplate, with a rolled top embellished with scrolled foliate detail, sits behind the tooth barred curved fronted grate which is flanked by panels with applied brass stylised honeysuckle and scrolled wrought iron mountings. The grate is supported to the front by a pair of tall draped figural andirons standing on small brass footblocks.
English, circa 1810.

Link to: Antique fire grates and log baskets.

	Width	Height	Depth
External	40 5⁄8" 103 cms	22" 56 cms	13 13⁄16" 35 cms
Back Width	28" 71 cms

Stock: 13011

An enormous and grand antique Victorian walnut chimneypiece in the Neoclassical style. The frieze elaborately carved with three pairs of sea serpents alternating with flambeau urns and scallop shells. The shells are repeated on the panelled surround of the opening. Larger scallop shells are set on the endblocks and the jambs have entwined decoration set within panels framed by beading and egg & dart edging. There is a brass plaque fixed to the undershelf with the engraved signature of Carlo Scarselli and the date 1878.

Link to: Antique Victorian, William IV and Edwardian fireplaces and chimneypieces.

	Width	Height	Depth
External	122 13⁄16" 312 cms	78" 198 cms	22" 56 cms
Internal	55 7⁄8" 142 cms	50 13⁄16" 129 cms

Stock: 14780

A tall and finely made white Statuary Marble Georgian chimneypiece. The wide corniced shelf rests above the plain frieze which is centred by a tablet depicting The Triumph of Love. Flanking the frieze are laurel wreathed endblocks above fielded jambs with corbels in the form of stylised fern fronds terminating in bellflowers. This antique fireplace exudes the simple elegance characteristic of the period. English, circa 1790.

Link to a section showing full range of similar/related neo-classical chimneypieces

	Width	Height	Depth
External	74 13⁄16" 190 cms	59 5⁄8" 151.5 cms	7 1⁄2" 19 cms
Internal	45 1⁄4" 115 cms	43 5⁄8" 110.8 cms

Stock: 14553

Early nineteenth-century Italian chimneypiece in Carrara marble, with a richly carved under-shelf and frieze. The recessed frieze has a central tablet carved with Venus in repose; this is flanked by two pairs of birds, each bearing a garland in their beaks. The endblocks are carved with large Medusa masks which rest on engaged fluted columns with delicately carved capitals of curling acanthus leaves. The fluted columned jambs gently widen to finish in an elegant base.
Italian, circa 1830.

Shown here with fire grate SNo 14629.

Link to: Antique English Regency chimneypieces inc. George IV fireplace mantels.

	Width	Height	Depth
External	73 3⁄16" 186 cms	52 3⁄16" 132.5 cms	12 3⁄16" 31 cms
Internal	54 1⁄4" 138 cms	42 1⁄8" 107 cms

Stock: 14633

A highly ornate and rare antique stone fireplace surround in the Louis XV Rococo style exuberantly carved throughout with abundant floral and foliate detail. The moulded shelf with bead and reel edging rests above an embellished serpentine frieze centred by a stylised rocaille cartouche with floral trails flanked by scrolled acanthus corners. Small shell cartouche top tapering panels on the jambs which rest on sturdy footblocks.
Photos before restoration. French mid to late 18th century.

Shown here with replica fire grate SNo 10920 not included in the price.

Link to: Antique Rococo Chimneypieces inc Louis XV English Scottish Chippendale Rococo fireplace mantels.

	Width	Height	Depth
External	62 3⁄8" 158.5 cms	46 7⁄8" 119 cms	17" 43.3 cms
Internal	50 1⁄8" 127.3 cms	34 5⁄8" 88 cms

Stock: 10928

An important, rare mid-18th century Georgian English Rococo antique fireplace surround in Statuary and Maurin Green Marble influenced by the designs of Sir Henry Cheere (1703-1781) and Isaac Ware (1704-1766). The serpentine shelf rests above a scrolling frieze centred by a carved spray of oak leaves flanked by simple floral rosettes on a bed of Maurin Marble. The end blocks are adorned with acanthus leaves and trailing oak sprigs above finely carved angled console jambs, with Maurin Marble side panels, supported on shaped footblocks. English circa 1750.

Notes: Part of our research revealed that a very similar chimneypiece originated in Woodcote House in Surrey. The house, rebuilt in 1750, was designed by Sir Henry Cheere and the sculptor was Isaac Ware. This chimneypiece bears a close resemblance to their designs. It is also related in style and quality to our SNo 9180.

Link to: Antique Rococo Chimneypieces inc Louis XV English Scottish Chippendale Rococo fireplace mantels.

	Width	Height	Depth
External	71 1⁄8" 180.5 cms	48 3⁄8" 123 cms	14 3⁄16" 36 cms
Internal	52 3⁄16" 132.7 cms	39 13⁄16" 101 cms

Stock: 13353

A monumental French Renaissance style antique chimneypiece highly carved in creamy Caen Stone. The massive entablature, with its breakfront shelf centred by a podium above fruit and a grotesque mask, has a boldly carved frieze of mythical dragons and serpents amidst scrolling foliage. There are two large humorous figural carvings on the endblocks. To the left is the figure of a furtive peasant and to the right that of a lounging court jester. The whole is supported on a pair of free standing columns, with elaborate capitals, fronting the jambs.
French, mid 19th century.

Shown here with fire basket SNo 14374 not included.

Notes: Caen Stone is a light and creamy yellow Jurassic limestone formed approximately 167 million years ago and quarried near the City of Caen in north western France. It was used in the building of many historic French churches and abbeys and was also partially used in the construction of Canterbury Cathedral, Westminster Abbey and the Tower of London in England.

Link to: Antique Renaissance, Gothic Tudor Fireplace mantels and Chimneypieces: 1260 - 1600

	Width	Height	Depth
External	79 7⁄8" 203 cms	61 13⁄16" 157 cms	23" 58.5 cms
Internal	45 11⁄16" 116 cms	46 1⁄2" 118 cms

Stock: 14593

An unusually elaborate Rococo, Louis XV style Belgian black marble antique fireplace surround, with gilded detail throughout. The serpentine moulded shelf rests above a deep panelled frieze which is centred by an elaborate rocaille style cartouche and flanked by deeply carved large foliate endblocks. The jambs with large carved scrolling detail supported on shaped footblocks. Belgian, 18th century.

Link to: Antique Rococo Chimneypieces inc Louis XV English Scottish Chippendale Rococo fireplace mantels.

	Width	Height	Depth
External	87" 221 cms	51 3⁄16" 130 cms	14 5⁄8" 37 cms
Internal	64 3⁄16" 163 cms	41 1⁄8" 104.5 cms

Stock: 14804

A fine and grand Georgian style brass and cast iron antique fire basket. The arched backplate sits behind a three barred grate mounted with five tulip vase finials above a pierced and engraved serpentine apron depicting mythical dragons amid scrolling foliage. The grate is supported on a pair of four columned standards topped with taller tulip vase finials. English, circa 1870.

Link to: Antique fire grates and log baskets.

	Width	Height	Depth
External	41 1⁄2" 105.5 cms	35" 89 cms	20 7⁄8" 53 cms
Back width	26" 66 cms

Stock: 14728

A charming and imposing Louis XV style antique Rococo chimneypiece in Fleur de Pêche Marble with exceptional ormolu mounts by Francois Linke (1855-1946). The serpentine shelf rests above a panelled frieze centred with an applied ormolu shell cartouche, cushioned on trailing acanthus leaves, above a wide serpentine opening. The tapering, canted jambs, embellished with very fine applied ormolu female terms and with delicate ormolu foliate mounts at each foot, are supported on elegant footblocks. French, late 19th century.

Notes: Francois Linke was a leading Parisian ébéniste of the late 19th and early 20th centuries and this fireplace was almost certainly commissioned by a client around that time. His signature can be clearly seen on the shoulder of the female term to the left.

In the nineteenth-century, François Linke was considered one of the finest cabinet makers and designers in France, and one of the finest in the world. Born in the small village of Pankraz in Bohemia - now Jitrava in the Czech Republic - François Linke was the second son of eleven siblings. His father was a farmer and sent François to be apprenticed to a local cabinetmaker at just thirteen years of age, after which he settled in Paris in 1878; only five years after his apprenticeship had been completed.

The applied ormolu decorations designed by Léon Messagé were an essential part of Linke’s allure and brought him to the forefront of the Paris makers of meubles de haut luxe. At the famous Exposition Universelle in 1900, one of Linke’s finest items - a grand bureau - won a gold medal. The Art Journal reported in 1900 on Linke’s stand:
‘The work of M. Linke … was an example of what can be done by seeking inspiration amongst the classic examples of Louis XV and XVI without in any great sense copying these great works. M. Linke’s work was original in the true sense of the word, and as such commended itself to the intelligent seeker after the really artistic things of the Exhibition. Wonderful talent was employed in producing the magnificent pieces of furniture displayed...’

Linke’s work was so fine that he was invited to undertake an extraordinary commission to furnish the Ras al-Tin Palace in Alexandria with over 1,000 pieces of furniture and decoration for King Fuad of Egypt; the single largest furniture commission ever conceived, which eclipsed even Versailles. It is here that other examples of his exquisite marble and ormolu chimneypieces can be found.

The designs for these majestic Rococo chimneypieces were in fact inspired by the chimneypieces of Versailles. These were designed in the late 18th century by Jacques Verberckt with gilt bronze mounts by Jacques Caffiéri. The two master craftsmen embodied the Louis XV Rocaille style of the eighteenth-century. When Linke and Messagé were allowed access to these designs, they sought to reproduce both the style and quality for a nineteenth-century audience. As a result, the Louis XV style saw a great revival. The chimneypiece in our collection has figural ormolu mounts almost identical to those found in the sumptuous Council Cabinet of Versailles. Linke has subtly updated the design by choosing a soft, fleur de pecher marble to provide the perfect backdrop for the glowing ormolu.

This chimneypiece is a testament to both Linke and Messagé's exquisite craftsmanship and represents the finest of nineteenth-century design. If you would like any further information about this piece, please do not hesitate to get in touch.

Link to: Antique Rococo Chimneypieces inc Louis XV English Scottish Chippendale Rococo fireplace mantels.

	Width	Height	Depth
External	84 5⁄8" 215 cms	47 5⁄8" 121 cms	20 1⁄8" 51 cms
Internal	60 5⁄8" 154 cms	38 3⁄8" 97.5 cms

Stock: 14727

A fine Gothic Revival Caen stone chimneypiece, attributed to John Middleton (1820–1885). This grand chimneypiece has double columned jambs in a garnet coloured Serpentine marble which support a Languedoc marble shelf. The fireplace bears attributes of Norman ecclesiastical architecture, with zigzag mouldings framing both the frieze and the arched opening due not only to Middleton’s passion for church architecture but also reflecting the great religious revival of the nineteenth century; the Oxford movement perhaps being the most famous.

It is likely to have come from a grand Gothic Revival House in Cheltenham or its environs. It would have no doubt come from a room of grand proportions and it certainly would have made a magnificent centrepiece.

English, circa 1870.

Notes: Orphaned from a young age, Middleton was left only a modest allowance which he used to train as an architect in the North of England. He did however manage to travel to Europe, which influenced his style a great deal. Middleton went on to design a number of churches, residences and even railway stations in the favoured Gothic style of the period. Some of the most beautiful residences and public buildings he designed were in Cheltenham, including the Cheltenham Ladies College. Nearly every private residence he designed had a grand chimneypiece. These Gothic creations were hewn from both stone and marble, with grand columns and bold carving, not so different in design from gothic sedilia.

Link to: Antique Renaissance, Gothic Tudor Fireplace mantels and Chimneypieces: 1260 - 1600

	Width	Height	Depth
External	96 1⁄8" 244 cms	61 13⁄16" 157 cms	18 1⁄8" 46 cms
Internal	48" 122 cms	42 7⁄8" 109 cms

Stock: 10110

A rare and important pierced and engraved steel George III antique fire grate. It was manufactured in bright steel with very finely engraved foliate and acanthus detailing, applied beading, a skirt of lozenge paterae and lidded urn shaped finials set above chamfered engraved legs..

This large fire basket is from a design by Robert Adam, and probably made in the late 18th century by an iron founder one Henry Jackson of Saffron Hill, Smithfield in London. A similar grate is in the Victoria & Albert Museum, South Kensington and there are a further two in the 18th century Spencer House in St. James's, London.
English, circa 1790.

Link to: Antique fire grates and log baskets.

	Width	Height	Depth
	43" 109.2 cms	37 1⁄2" 95.3 cms	21" 53.3 cms

Stock: 14414

An imposing and profusely carved French Baroque style fireplace surround in lightly veined white Carrara Marble with an upper coffered stop fluted frieze and stepped entablature above an arched egg and dart band.

The fine quality clock, set within an arched niche framed by a foliate edged band above the garlanded frieze, strikes the hour and the half hour on a single bell. The clock face has gilt Roman numerals on a marble bed within a gilt egg and tongue frame. The delicately pierced hands are finely engraved with foliate detail and the clock is stamped on the movement Bailly Sr De Weibel, Breveté S.G.O.G. A Lyon.

The opening is edged with a finely carved leaf and berry band and the jambs each have two tapering, garlanded grotesque terms to the front and the sides terminating in large lion claw feet resting on stepped footblocks. Shown here with andirons SNo12527 not included in the price.
French, circa 1870.

Link to: Antique Baroque Chimneypieces inc English, Italian, French, Flemish Bolection fireplace mantels.

	Width	Height	Depth
External	66 7⁄8" 170 cms	60 3⁄16" 153 cms	21 1⁄4" 54 cms
Internal	37" 94 cms	36 3⁄16" 92 cms

Stock: 14374

A rare and monumental cast iron Victorian, Coalbrookdale fire grate with an elaborately scrolled backplate featuring a Bagot Goat jumping a fence. The substantial basket, with a strapwork apron centred by a lion mask, is supported by a pair of large and powerful panther head standards. Provenance: The Coalbrookdale Company registered September 6th 1841 number 814 can be seen on the back.
English, early to mid 19th century.

Notes: The Bagot goat is believed to be Britain's oldest breed of goat and has lived semi-wild at Blithfield Hall in Staffordshire for over six hundred years.The Coalbrookdale Company, a foundry in Shropshire established in 1709, is probably most famous for building the world's first cast iron bridge erected and opened at Ironbridge in 1780, but it was also noted for its decorative ironwork an example of which is a set of gates opening into London's Hyde Park. The blast furnaces were closed down around 1820 but the foundries remained in use.

Link to: Antique fire grates and log baskets.

	Width	Height	Depth
External	35 13⁄16" 91 cms	28 11⁄16" 73 cms	16 1⁄2" 42 cms
Back width	22 13⁄16" 58 cms

Stock: 10764

Bank of England Sculpture Collection :The new 'Old Lady of Threadneedle Street.'
English, circa 1957.
Sculptor: Sir Charles Thomas Wheeler, President of The Royal Academy, 1956-66.

A smaller version of the 1934 Art Deco sculpture still centering the pediment over the main entrance of the Bank of England Threadneedle Street frontage also sculpted by the same sculptor.

Provenance: This version was removed from high above the main entrance of the One New Change building in the City of London the building, erected in the 1950s to accommodate the Bank of England's Accounts Department Annexe and occupied the whole site bounded by Cheapside to the north, Watling Street to the south, Bread Street to the east, Newgate to the north west and New Change to the west and filled a sensitive site in that it presented a backdrop to Christopher Wren's magnificent Roman Baroque St Paul’s Cathedral. The building was demolished in 2007.

Link to: Antique, old vintage fountains, sculptures, garden furniture and statuary

	width	height
	51 3⁄16" 130 cms	51 3⁄16" 130 cms

Stock: 14432

A complete carved oak wainscot panelled room recently removed from a large house in Lille in northern France close to the border with Belgium.

The panelled suite includes a large Belgian Black Marble fireplace, a pair of full height doors and a set of six original late 19th century machine woven tapestries. The two sets of original windows, shown in situ in the images below, are not available but the panelled sections surrounding the window openings are and remain part of the whole suite. The doors and the window openings are surmounted by decorative carved friezes with highly ornate pediments flanked by tall pilasters. Further pilasters flank the overmantel mirror of original mercury plate above the fireplace and the mirror is surmounted by it's own richly carved pediment. The six late 19th century machine woven tapestries depicting various medieval rural pass-times are set above each section of panelling.

The large and imposing Belgian Baroque style fireplace surround has a deeply moulded shelf above a panelled frieze with a central foliate panel flanked by swagged corbels, repeated on the side returns, above descending bellflower detail on the jambs over bold moulded footblocks. The opening is framed by inner slips with carved lambs tongue moulding and floral spandrels.
French, circa 1880.

Shown here with firegrate SNo 14446 not included in the price and fireback panels SNo 14125 now sold.

Room Measurements:
Width 19ft ( 5m 58cms)
Depth 18ft 4ins (5m 80cms)
Height 12ft 4ins (3m 73cms)

Fireplace dimensions.
Width 78 3/8" (119cms)
Height 47 1/4" (120cms)
Depth 15" (38cm) + 9 1/2" (24cms) return around chimney
Internal width 39 3/4" (101cms)
Internal height 27 3/4" (70,5 cms)

Notes: Wainscot panelling is found lining the interior walls of rooms and hallways and usually forms the lower part of the walls.

Link to: Antique panelling and overmantels

Stock: 14251

A rare 19th century Statuary Marble and ormolu chimneypiece in the French Regency style with a large, exquisitely carved 18th century panel after Clodion (1738 – 1814).

The fireplace, originally in the drawing room of Brook House, located at 113 Park Lane in Mayfair London, was made to accommodate the extraordinary18th century panel which was probably acquired during a Grand Tour.
The panel depicts 'Le Triomphe d'Amphitrite' who can be seen in the centre riding a dolphin attended by putti, tritons(mermen) and nereids(mermaids). Finely applied ormolu, set beneath the cornice shelf and on the jambs and sides, frames the panel and there are intricately detailed ormolu rams heads and tumbling festoons adorning each jamb above which are corbels embellished with large ormolu acanthus leaves.
Provenance: Brook House, Park Lane, Mayfair, London. English late 1860s.

Notes on Amphitrite & Poseidon.
Amphitrite was one of the fifty Nereids who were attendants of the sea-god Poseidon. On first seeing Amphitrite Poseidon fell deeply in love and ardently pursued her. When she fled his wooing he sent dolphins after her who finally persuaded her to return to become his bride. The bearded figure on the far right of the panel could well be Poseidon himself.

Notes on Brook House.
Brook House was built in the French style from 1867-1869 by the architect Thomas Henry Wyatt for Sir Dudley Coutts Marjoribanks, the 1st Lord Tweedmouth. The interiors were designed by the renowned 19th century decorators Wright & Mansfield who were strongly influenced by French design. Please see photo below of the Brook House Drawing Room which shows the fireplace in situ. The photograph is courtesy of the Country Life Archives and was taken by Charles Latham in 1902 for The King Magazine and later included in 'London Interiors' written by John Cornforth and published by Country Life.

Ernest Cassell, private banker to Edward VII, bought Brook House from Lord Tweedmouth in 1904 and lived there with his granddaughter Edwina Ashley who later became Countess Mountbatten when she married Louis Mountbatten in 1922. Louis Mountbatten, 1st Earl Mountbatten of Burma was the uncle of the Queen's consort, the Duke of Edinburgh. Their marriage was attended by the then King and Queen and the Prince of Wales and the reception was held in Brook House. The couple later moved into a suite on the third floor. The house was subsequently demolished and redeveloped in the 1930's.

Link to: Antique English Regency chimneypieces inc. George IV fireplace mantels.

	Width	Height	Depth
External	88 5⁄8" 225 cms	65 3⁄16" 165.5 cms	22 3⁄8" 57 cms
Internal	53 1⁄2" 136 cms	40 5⁄8" 103 cms

Stock: 14398

A superb, tall and elegant twin columned Gothic Revival antique chimneypiece in finely figured, softly dark grey Saint Anne Marble. This is a wonderful fireplace imposing in its simplicity and one of a kind. The wide moulded shelf rests on twin pairs of attached octagonal columns, each with moulded capitals, supported on sturdy footblocks. The plain frieze is centred by a simple shield above the slow arch of the opening set with quatrefoil carvings on the spandrels.
English, possibly Scottish circa 1860.

Shown here together with firegrate SNo 11882 now sold.

Link to: Antique Renaissance, Gothic Tudor Fireplace mantels and Chimneypieces: 1260 - 1600

	Width	Height	Depth
External	82 1⁄2" 209.5 cms	54 5⁄8" 138.6 cms	15 3⁄16" 38.5 cms
Internal	43 11⁄16" 111 cms	39 3⁄16" 99.5 cms

Stock: 14549

A large, rare and imposing late George II English Rococo chimneypiece with strong Palladian influences carved in white Statuary Marble and inlaid with panels of Verde Tinos Marble. The panelled frieze, beneath a moulded serpentine shelf, is centred by a richly carved 'pelta' scroll cartouche with very finely carved trailing jasmine sprigs flanked on the endblocks by large C Scrolls. The generously scrolling, canted console jambs, with linked cartouche and acanthus detail, terminate in single hart's tongue fern fronds and are supported on simple foot blocks. Provenance: The Earls of Minto, Minto House, Roxburghshire, Scotland.
Scottish, circa 1750-1760

Shown here with andirons SNo 10202 now sold.

Minto House Notes:
This 18th century chimneypiece was selected by the 4th Earl of Minto to be installed in the Octagonal Drawing Room of Minto House by the decorators W. Turner Lord & Company, of 120 Mount Street, Grosvenor Square, London, whose estimate for the works was dated 18 September 1891. The tower of an earlier property had been incorporated by William Adam in his design for Minto House around 1740 and the House has subsequently undergone various expansions. One was carried our by Archibald Elliot at the beginning of the 19th century, it was further altered by William Playfair in 1837 and was finally enlarged by Robert Lorimer at the end of the 19th century. Minto House was owned by the Elliott family and the Earls of Minto for several centuries but from the mid 1960s it began to fall into disrepair and suffering from increasing neglect it slowly deteriorated to a state where it was finally demolished in 1992.

Link to: Antique Rococo Chimneypieces inc Louis XV English Scottish Chippendale Rococo fireplace mantels.

	Width	Height	Depth
External	83 1⁄2" 212 cms	61" 155 cms	13" 33 cms
Internal	56 1⁄4" 143 cms	46 1⁄2" 118 cms

Stock: 10915

A rare 18th century Italian Baroque fireplace mantel in finely carved Statuary Marble. The moulded arched shelf forms the upper part of a full width serpentine frieze which is centred by a high prominent shell cartouche, flanked by profusely carved flowers, grape vines and ears of wheat representing summer and autumn. Carved in low relief at each end of the frieze are winged mythical dragons and to the side are vases of flowers beneath which are elaborate angled c-scrolled jambs decorated with masks of grotesques holding ropes of fruits in their mouths and there are trails of tumbling berries and leaves down the sides. Shown together with andirons SNo 12527 not included with the price. Italian mid 18th century.

Link to: Antique Baroque Chimneypieces inc English, Italian, French, Flemish Bolection fireplace mantels.

	Width	Height	Depth
External	64 3⁄16" 163 cms	46 7⁄8" 119 cms	9 13⁄16" 25 cms
Internal	41 1⁄4" 105 cms	37 13⁄16" 96 cms

Stock: 4721

A rare Venetian Renaissance antique fireplace mantel from the fifteenth century. This extremely rare chimneypiece is carved in Pietra d’Istria Marble from the Istrian Peninsula near Venice and is attributed to Giorgio da Sebenico, sculptor of the Duomo San Francesco, Cathedral of Ancona, which features near identical images on the portal.
Italian, circa 1460.

Scale : Large.

Link to: Antique Renaissance, Gothic Tudor Fireplace mantels and Chimneypieces: 1260 - 1600

	Width	Height	Depth
External	78 11⁄16" 200 cms	74" 188 cms	34 1⁄4" 87 cms
Internal	68 1⁄4" 173.4 cms	65 3⁄16" 165.7 cms